Every job begins with a conversation about your studio: what you broadcast, who operates the equipment and where the pressure points are. From that we write down what we will do, what you will receive and what we will need from you. Nothing is left to be assumed on the day.
Most work involves a visit to the studio or a close look at plans and photographs, followed by a written summary. For training and lighting sessions, we work on your own floor with your own kit, because habits learned on someone else's equipment rarely carry over.
The size of a job is shaped by a few plain things: how large the studio is, how many people take part, how many sets or camera positions are involved and how much travel is needed. A single news desk is a very different task from a studio with several sets.
We do not supply or sell equipment, and we do not operate your productions for you. Our role is to plan, teach, advise and write things down clearly, so your own crew can carry on confidently after we leave.
Where work calls for several visits, we agree the stages in advance and say what each one covers. If something turns up on the day that changes the scope, we tell you and agree the change in writing before continuing.
What affects the proposal
- Size of the studio and number of sets or camera positions
- Number of crew taking part in training or review
- Whether work is on site or based on plans and photographs
- Travel distance to your premises
- Amount of written material you want afterwards
- How much of your existing kit and cabling is already in place