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What we do

Studio production services, from floor plan to live gallery

Five areas of work for small studios and broadcast crews: planning the room, training camera operators, lighting sets, shaping sound and reviewing how live shows are run.

Studio production services, from floor plan to live gallery
Our services

Five ways we help a studio run cleanly

jurnexio works with small studios, broadcast teams and production students across the UK. Each service stands alone or sits alongside the others, so you can start with one problem, such as muddy sound or an untidy gallery, and widen the work later if it makes sense.

  1. Studio Setup Planning

    We plan floor layouts, cabling and equipment racks so a studio runs smoothly from the first day.

  2. Camera Operation Training

    Hands-on sessions in framing, movement and focus for pedestal and handheld studio cameras.

  3. Lighting Design

    Lighting plans for news desks, interviews and portrait sets, from key light to background separation.

  4. Sound and Audio Workflow

    Microphone placement, mixing and monitoring set up so speech stays clear in live broadcasts.

  5. Live Show Workflow Review

    We audit your gallery, cueing and communication routines and write up practical improvements.

Tell us what the studio produces, how many people crew it and what keeps going wrong. That is enough to agree a sensible scope before anything is quoted.

Contact
Choosing a starting point

Studio Setup Planning or Live Show Workflow Review

Both begin with a close look at how your team works, but they suit different moments. One is for a studio that is being built or reorganised, the other for a team already on air.

Studio Setup Planning

Best suited to
New studios, moves and refits where the room and equipment are still open to change
Main focus
Floor layout, cabling routes and equipment racks
What we look at
Plans, room dimensions and the kit you own or intend to buy
What you receive
A written plan with layouts and a cabling and rack schedule
Typical outcome
A studio that is easy to switch on and operate from the first day

Live Show Workflow Review

Best suited to
Teams already producing live shows who want fewer errors and calmer galleries
Main focus
Gallery roles, cueing habits and communication between crew
What we look at
A typical show run, your running orders and how the crew talk to each other
What you receive
A written report with practical changes ranked by how easily they can be made
Typical outcome
Routines that are clearer, repeatable and easier to teach to new crew

If your studio is both new and already producing, say so. Many teams start with the review and use it to decide what the layout needs.

Scope

What a piece of work includes and what shapes it

Every job begins with a conversation about your studio: what you broadcast, who operates the equipment and where the pressure points are. From that we write down what we will do, what you will receive and what we will need from you. Nothing is left to be assumed on the day.

Most work involves a visit to the studio or a close look at plans and photographs, followed by a written summary. For training and lighting sessions, we work on your own floor with your own kit, because habits learned on someone else's equipment rarely carry over.

The size of a job is shaped by a few plain things: how large the studio is, how many people take part, how many sets or camera positions are involved and how much travel is needed. A single news desk is a very different task from a studio with several sets.

We do not supply or sell equipment, and we do not operate your productions for you. Our role is to plan, teach, advise and write things down clearly, so your own crew can carry on confidently after we leave.

Where work calls for several visits, we agree the stages in advance and say what each one covers. If something turns up on the day that changes the scope, we tell you and agree the change in writing before continuing.

What affects the proposal

  • Size of the studio and number of sets or camera positions
  • Number of crew taking part in training or review
  • Whether work is on site or based on plans and photographs
  • Travel distance to your premises
  • Amount of written material you want afterwards
  • How much of your existing kit and cabling is already in place

Questions about our services

These are the questions studios ask most often before getting in touch. If yours is not here, send it through the contact page and we will answer it plainly.

Can we book just one service rather than several?

Yes. Each service is offered on its own, and many clients begin with a single piece of work such as a lighting plan or a camera training day. If it turns out other areas need attention, we will say so, but there is no obligation to take on more than you asked for.

Do you come to our studio or work remotely?

Most work happens on site, since seeing the room, the kit and the crew at work tells us far more than a description does. Some planning and review work can be done from plans, photographs and video calls, and we will say which suits your job.

Do we need to own professional equipment already?

No. We can plan a studio around equipment you are still choosing, or train people on whatever you have. If your kit has gaps or does not suit the way you work, we will point that out honestly and in writing.

How many people can take part in a training session?

Hands-on camera and lighting sessions work best with small groups, because everyone needs time at the controls. We will agree a sensible number with you when we discuss the job, based on the size of your studio and the kit available.

What do we receive at the end of a piece of work?

Setup planning and workflow reviews finish with a written document in plain language: layouts, schedules or ranked recommendations, depending on the job. Training and lighting sessions can include short written notes that your crew can keep beside the equipment.

Do you work with students and small teams?

Yes. Production students, community studios and small broadcast teams make up much of our work. We keep recommendations practical and sized to what a small crew can realistically maintain, rather than assuming a large technical department.

How do we get a price for our job?

Send an enquiry through the contact page describing your studio and what you need. We reply with a written quotation, and once you confirm it we issue an invoice payable by bank transfer. The Prices page explains what each service includes.

What if we need to change or cancel a booking?

Tell us as soon as you know and we will find a workable arrangement. Cancellations and any refunds follow the payment and refund policy, which sets out the terms clearly so that nothing comes as a surprise.